Statement

My practice begins with rumor, misreading, and the deformation of narrative. When information is transmitted, facts are not simply lost; they are transformed into other shapes. I use painting, sculpture, installation, performance, and fictional documents to make these processes visible.

I am interested in cultural friction in East Asia, the instability of translation, and the morphology of stories. A rumor is not only a false statement. It is a structure that carries emotion, symbol, memory, and desire as it moves between people and places.

In recent works, I build provisional situations: laboratories, islands, actions, food events, and archives. These situations allow images and objects to behave like evidence while remaining uncertain, incomplete, and open to further interpretation.